Tag Archives: Andrea Riseborough

Disconnect (My Favorite Movie You Haven’t Heard Of From 2013)

3 Apr

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Synopsis: “A drama centered on a group of people searching for human connections in today’s wired world.” (Rated R; 1 hour, 55 minutes)

Was the title of this latest blog entry a dead-giveaway? Yes I enjoyed the movie. A lot. Well, enjoyed may not quite be the right word for it… “affected” perhaps.

Do you remember how good everyone said Crash was, but how there was something inherently heavy-handed and manipulative about the movie that just kept it from actually BEING great? Well those were certainly my feelings from the 2004 Academy Award winner. Don’t get me wrong, I’m still a very easy movie-audience to please, and I loved watching Crash, with its intense multi-layered story-lines, and great actors playing against type all over the place. In fact it was thanks to Crash that the world started to see that Sandra Bullock really COULD act after all. But it was just a bit too schmaltzy to actually be great (in my humble opinion).

Disconnect is basically Crash without the schmaltz. It has a handful of different story-lines that come together in some bizarre way at the end, but more importantly it is deep, with compelling plots, great acting, and almost a year later I still think it was fantastic. It probably contains the best Jason Bateman performance to date, as well as a “Catfish” type subplot that absolutely broke my heart. I recall the lights going down and being so overwhelmed by what I had just seen that I couldn’t even get up right away. I will not give away more of the story, because I hope you’ll be renting/streaming it soon, and letting me know what you think.

The movie was better than Crash – as I’ve made crystal clear – and it’s not as good as…my bachelor party in Las Vegas. What, I HAVE to pick a movie that I liked more that’s also multilinear? Sorry, it was better than Crash, Babel, Short Cuts and Syriana. I’ve never seen Nashville, so perhaps that was a greater movie of its genre.

Quality Rating: A+ (This isn’t a guilty pleasure type movie where I enjoyed it more than its worth, it actually was great.)

Boaz Rating: A+

Oblivion (“My Comic Book Origin Story”)

8 May

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Synopsis: “A veteran assigned to extract Earth’s remaining resources begins to question what he knows about his mission and himself.” (Rated PG-13; 2 hours, 5 minutes)

Why on God’s green-earth isn’t this smart science-fiction movie getting more love? This time I not only refer to the critics, but also the people I personally know who have seen and disliked it. I went to see Oblivion with the knowledge that a group of 3 of my friends (Ephraim, Mike and Jared) had gone to see it, and reported being really bored by it. Ephraim, who admits he gets impatient watching movies, said he was intrigued by the first half but then it lost him. They predicted that I’d like it, seemingly because I enjoy most movies, but were ready to mock me for doing so. Well, I’m sorry guys, but not only did I think it was good, I REALLY really liked it.

The movie was like a cross between 2001: A Space Odyssey, I Am Legend and WALL-E. First of all, let me address the slow-pacing of the movie. This made me feel like I was watching the classic Stanley Kubrick film, 2001: A Space Odyssey. Most people to see that movie know it wasn’t exactly an exciting, fast-paced movie, but the brilliant build-up of tension as man realized more and more that he needed to battle machine…wow. And no, I’m not suggesting this movie had the extremely slow pacing of Kubrick, but each scene was certainly deliberate, thoughtful and highly suspenseful. Considering the movie was set on a desolate planet Earth, you should be able to visualize that there were long portions with very little dialogue, and it became more about man versus beast…or machine. Personally I find this technique amazing when it works, such as with Cast Away, or even the aforementioned WALL-E or I Am Legend. A film-maker who is able to create a world where you are watching a one-man play for long chunks of the time, and keep you glued to your seats…I absolutely love and admire that.

Without spoiling anything, the basic premise in Oblivion involves Tom Cruise and Andrea Riseborough as a two people who have their memories wiped, and are assigned to monitor Earth to help protect it from creatures who have been sabotaging it. All of this takes place in a post-apocalyptic future, where the two of them have a home-base that looks like a scaled-back version of The Jetsons apartment in the sky, while the rest of the world remains bare and desolate.

The visuals were simply awesome. This applied to both the fantastic set design, and also the absurdly great visual effects. My goodness half of this movie involves rocket ships and robots flying around, and it looked amazing. I was swept away in a world where menacing, flying drone robots existed, and Tom Cruise was like Maverick from Top Gun if he’d gotten amnesia and was flying around aimlessly trying to find his purpose in life. In fact, I didn’t know anything about the movie other than the previews, and it made perfect sense to find out that it was based on a graphic novel.

I grew up with an expensive hobby, and comic books be thy name. As with many addictions, it started quite innocently…It was the summer of 1994, I had just turned 15, and my best friend Seth asked me to join him for a comic book signing. Although it sounded like a boring day of nothing but waiting in line, we passed time on lazy Shabbos afternoons often enough that I didn’t mind doing it for the sake of spending time with my buddy. My immediate impressions were of amusement at the people surrounding us in the line. There was one memorable middle-aged man with a twitchy mustache who kept raving about a comic book named Shi, Seth and I joked about this for years to come. Hours passed by, and we finally got inside Golden Apple, the popular comic book store on Melrose Avenue. About 5 steps into the store an Asian man got my attention:

Asian man – Hey! You plan on signing anything?

Boaz – Oh, I’m just here to hang with my friend. Why, where do we finally do that?

Golden Apple Employee – Dude, that’s Jim Lee!

Boaz – Umm, who?

Asian man/Jim Lee – Bursts out laughing

Seth – Nice Boaz, way to embarrass me. He’s the head of Image Comics and the one everyone’s waiting to meet!

Boaz – Oh, sorry, I don’t collect comics, but I’ve been waiting in line long enough that I guess I’ll buy one and get your autograph, sure.

Entire Crowd – Laughs hysterically

When I saw there were about 3 issues released of his comic Wetworks, I bought all three, he signed them, and the next thing I knew I was shopping at Golden Apple once a week, getting about 20 comics at a time. This hobby lasted years, gathered me hundreds to thousands of comic books (I never counted) and all of my babysitting money. As with movies, some were fantastic, others were lousy, some were interesting but slow, and others were dumb fun action. (My favorites were anything written by Garth Ennis, the comic book equivalent of Quentin Tarantino.) The universes that some of these artists managed to create would bring fantasy worlds to life that were near-impossible to bring to the big screen. They were too grand and vast, technology simply couldn’t handle such a feat…yet. Cut ahead to the continued perfection of special effects and CGI, and more and more we got to see movies like Avatar and John Carter which actually transported us to different worlds. I’m happy to report that Oblivion joins the club, as it so effectively transported me to a dark, new world.

The graphic novel had been written by Joseph Kosinski, and I’m thrilled that he was also chosen to direct it, as he was given the chance to realize his original vision. Kosinski had only directed commercials before being given the chance to direct the long-awaited Tron: Legacy. While that movie was a bit of a let-down, it LOOKED fantastic, and most of its flaws were in the writing. Here he was given his second movie, it was based on his own material, and it just worked as a smart, twisty story.

As interesting as I found it from the start, the movie really became incredible about halfway through, after a huge reveal. I was incredibly relieved to have seen it with my friend Yoni, because unlike our other three friends who hated it, Yoni and I both loved the film and had a great experience watching it. Bear in mind that he is the same friend who watched Tyler Perry’s Temptation with me, and helped me make fun of that one from start to finish. For the two hours that Oblivion was playing, I don’t think we said a word, other than our mutual disappointment that our friends hated it.

I tell you, when a certain twist in the movie occurred, in spite of usually figuring things out I was totally caught off-guard, and was blown away from that point onward. I’m not saying every piece to the puzzle was shocking. There were elements to the story that I saw a mile away that were meant to be giant reveals, but that didn’t take away from the overall cool factor. And the love story that ensued was quite touching, giving this sci-fi movie more brains, heart and ominous tension than most ever achieve. Between the incredible visuals and the spectacular sound, this warranted being seen on a giant screen, in a great theater. Thankfully we caught it in the amazing (and overpriced) Arclight theater. I doubt it’ll actually happen, since I’m limited with my time, but I would even consider seeing it again. Trust me, that’s high praise for someone who tries to see 150 different movies each year.

The movie was better than I Am Legend, the enjoyably flawed Will Smith movie, where he scours the Earth on his own, trying to stay alive. Thought it wasn’t as perfect as Cast Away, which was truly a one-man feat performed by Tom Hanks.

Quality Rating: A-

Boaz Rating: A+ (The first half was fascinating, but from the second half onward I was absolutely mesmerized)